This is actually a commentary on both Hesiod and Protagoras’s appropriation of the Epimetheus and Prometheus myth in which through forgetfulness and an addition (technics) humans were the creatures who were an afterthought, a forgotten species. One that had to be compensated for its nakedness and its lack of power within itself, so that it was given the gift of art (technics and artifice) to which it has been a slave ever since. Humans (mortals in the Greek conceptions) were the exception not by design but rather through the dark instigation of a tale told by an idiot (Epimetheus) and a thief (Prometheus) so that the human is the fruit of a dark and terrible truth. Mythology is but the mirror of  Reason in its stage of fear and trepidation, the causal links attributed to the gods (Concepts) to speak of that which had no meaning in itself. Humans in their terrible plight invented themselves out of this lack, externalized their apprehensions, their foibles, their darkness in the light of warring gods. In the secular age we would reduce the gods to concepts depleted of their personalities, paraded as linguistic attributes and properties of the mind’s own dark house of Reason and Affect. What has this given us? Only this: instead of the gods warring with each other on Mount Olympus, we’ve seen these very dark progenitors descend into the streets, nations, worlds of us mortals and take up residence as Eris: the love of war and competition. We call this new estate, global capitalism.

Source: Bernard Stiegler: Eris and Technics | southern nights

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