In the opening sections of Das Capital Karl Marx would utter the strange and terrifying truth about capitalism: “Capital is dead labor, which, vampire-like, lives only by sucking living labor, and lives the more, the more labor it sucks.” We are mere cattle upon which the machinic assemblages of Capital cannibalized and expulsed as excess and extraneous waste. The notion of sleep has been used by poets and Gnostics alike throughout time as the leitmotif of ignorance, bliss, and innocence. Asleep in one’s ignorance goes the saying. To be asleep is to be so immersed in the normalization process of the worlds ubiquitous systems that one no longer has that critical acumen to be able to step away, step back, step out of one’s environment and see it for what it is: an artificial construct within which one is imprisoned. All the Zombie films from Romero’s classic to the latest edition have one theme: the mindless hunger and desire of the consumer for its next meal ticket, the endless feeding frenzy of a mindless horde in search of filling the emptiness of its depleted flesh, its desiring machininc life. Like sleeping zombies we move to the puppet strings of invisible codes and algorithms that supplement, decide, and program our lives within a 24/7 dreamworld constructed to fulfill our deepest desires.

Without even the slightest thought we are being slowly but surely integrated into a machinc civilization that will in turn feed on us until it has no need for us at all.

Source: southern nights | An artist is a creature driven by demons —William Faulkner

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