Dead Reckoning

The stars are just visible. The clear cuts have ended and the forest ahead of you is thick and ancient. It seems to suck in the darkness like a deep breath, exhaling a wind filled with the sweet stink of pine warmed against granite. With every gust, the foliage of the weeping spruce shivers. Pinecones drop like dice. You stare back along the road, barely visible in the darkness—of such strange magnitude that it seems not even to have been built by humans but dropped maybe by some itinerant god who had no use for it. And you can only wonder at that obscure disaster: Did we ever really think we knew where we were going? That there was just this one path to get there?

But what of those birds that lay their eggs on bare earth? When you turn the moon is the color of ice melting into black soil, the horizon limned with it and you know that the cold, blue-fired liquid will sink into the tops of the mountains and into the forest’s many throats, channeled through branches and mycelia and finally into the million warm and ancient hearts sitting deep down in things. You know that the nightjars lay their eggs for love and love only, that without hope there is at least love in the darkness, that gamble against all odds that the eggs not be dashed apart by some passing behemoth.

And you can only cradle your lost cause for love, loving wild and desperate in the face of that determined destitution—loving as one can only love in free plummet to doom and freed maybe at last of doom in the only way possible: through loving. Loving organized. Loving aimed at that horizon, dead reckoning by the stars.

Loving armed.

via Dead Reckoning | ULTRA

The Language of the Master

Linguistically, then, we should all be encouraging the Master to regain power. This means working with the ways of seeing and communicating which Machine culture downplays or ridicules, but which every traditional society before modernity’s advent understood and worked with. That means myth, religion, practical expertise founded upon physical work, rooted imagery, holistic conceptions of life, communication with non-human beings, poetry, complexity, questions that do not have answers, questions which are not questions at all. It means seeing time as a circle, not a line, life as a process, not a puzzle to be solved, death as a part of that life, not an enemy to be defeated. Sometimes—horror of horrors—it means embracing unknowing. It means learning to stop and be silent.

via The Language of the Master – Emergence Magazine